Film Review – DARK SHADOWS ★★☆☆☆

Perhaps to no one’s surprise if you have scratched your head after seeing the recent trailers and TV spots, it’s kinda hard to pinpoint where exactly Dark Shadows is trying to fit into.

Like every Tim Burton production, the film is in no way short changed in regards to his checklist of signature features (gorgeous gothic art direction, characters bearing scant skin pigment, looming overcast skies, lavish architecture and costume design, and a rousing score by the great Danny Elfman), but it’s when the film tries to find its actual identity in tone that it starts to hit some bumps in the road.

Depp stars as Barnabas Collins, a young well-to-do 18th century Brit living in Maine who finds himself cursed with a vampire’s immortality and buried “alive” by his scorned lover, housekeeper (and witch), Angelique Bouchard (played by a sultry Eva Green). When Collins is dug up nearly 200 years later in 1972, he is left to find his way in the ‘modern world’ and make good once again his family name for whom the local town, Collinsport, was named for.

Once back among the living with his descendants who have financial woes yet still keep shop in the ancestral mansion Colinwood Manor, the fish-out-of water dysfunctional family dynamic ensues and Barnabas soon discovers his centuries ago nemesis Angelique is alive, kicking, and has maintained a monopoly on the local commerce since banishing him to an eternal grave.

Dark Shadows is a strange brew of horror, slapstick quirky comedy, and family drama all wrapped up in typical Burton-esque gothic themes. The eyebrow raising marketing set to a groovy ’70s soundtrack has the film pegged as an off beat comedy, but Burton sees to it that the film also walks a line of various tones, but then crosses that line over and over throughout its near two hour running time. Additionally, much of the broad humor in the film has been revealed in the numerous trailers, leaving less to honestly laugh at when you actually sit down to see it in theaters.

While the movie is bookended by promising darker material, its the middle of the film that gets chatty with its fair mix of soap opera subplots, straight up horror moments, retro humor, visual gags, and even a campy musical montage. But the overall decision of having an 18th century vampire befuddled over dated relics like lava lamps, Troll toys, and Alice Cooper seem to limit the comedic possibilities that would appeal to a younger demographic had it been set in the present day.

Whether this was a Burton film or not, Depp’s casting as Collins offers a solid choice to walk the mixed tone that is never quite firmly set in the film. His Barnabas is a charmer one minute, a blood sucking killer the next, but always finds maintaining a sense of strong family values at the top of his list of personal priorities. Though the man out of his time routine only goes so far, despite the charm Depp brings to the role. Jonathan Frid, who originated the iconic vampire role on the TV show, has a welcome blink and you’ll miss it walk-by cameo. It goes without saying that life long Shadows fan Burton would make certain he had an appearance. Sadly, the actor passed away last month at the age of 87.

Last year’s modern day Fright Night remake starring Colin Farrell pulled off a fantastic balance of horror that featured a snarky charismatic vampire, but also possessed a firm sense of confidence in embracing what it was trying to convey in tone on screen. It could be brutal in its horror violence, but its humor reflected that dark side. Shadows seems to suffer from an identity crisis at times, though the cast never flinch regarding the material and make each individual scene work. Though looking at both films overall, comparing Dark Shadows to Fright Night is the old apples and oranges debate.

Dark Shadows is a mixed bag of what you will be treated to on the big screen. As a Tim Burton production, there are all the familiar trappings you expect to see and will enjoy seeing. Those production perks do not disappoint. But overall I found it to be a bit confused regarding the who it is ideally targeting, and exactly the where it is trying to call home. But like any Tim Burton opus, if Dark Shadows comes across as a quirky misfit without a pace to fit in, then perhaps the director truly has succeeded in capturing a core theme common to all his films.