Film Review – WRATH OF THE TITANS

Let’s start off by addressing the elephant in the room right away: Yes, there is a marked improvement in the 3-D for Wrath of the Titans over the poor conversion process that plagued 2010’s Clash of the Titans. Two years ago, the reboot of the 1981 mythical swords and sandals classic quickly became the whipping boy for the growing trend of converting 2-D films to 3-D late in post production, a process that was not always met with smashing results on the big screen. Hollywood has yet to reverse the trend of adding the third dimension to nearly every tentpole in town, but more on that later.

Ten years following the defeat of the Kraken in Clash, we find Perseus (Sam Worthington), the demigod son of Zeus, living a tranquil life as a father, widower, and fisherman. Zeus, Hades, and the other Titans of Olympus are slowly losing their Godly powers as humanity’s devotion to them wanes, and their ability to contain the imprisoned evil Kronos is quickly dissipating.

Perseus becomes the reluctant hero who must travel far back into the Underworld on a dangerous quest to save his fallen father from Hades and Ares, who have betrayed him in order to grant Kronos his freedom to conquer the Earth (a cheat sheet for the Greek Gods Family Tree would be useful at some points). Cue the cameos for the half man/half beast Minotaur, the two-headed Chimera, the one-eyed Cyclops, and throw in appearances from some familiar winged characters from the 1981 original. Not that this is all a bad thing, but we have seen much of the same in the first installment.

What works in Wrath is the grand scale of the FX-heavy quest, and a satisfying battle frenzied third act. Some of the action sequences are nothing to scoff at, mostly if this is your type of movie, and you know who you are. You can marvel at the high octane battles, elaborate CGI creatures, and abundance handheld camera work that will leave you unsettled into your seat.

When Wrath is pushing ahead on all cylinders, director Jonathan Liebesman delivers moments on par, in scope, and intensity as seen in his last big screen effort, the frantic but entertaining Battle: Los Angeles. Liebesman has the knack and know how for dropping the audience right smack in the thick of full blown CGI showdowns, some of which will never be fully appreciated anywhere beyond the big screen. I am a glutton for FX heavy excess, so admittedly big budget eye candy in healthy doses is rarely lost on me.

What doesn’t work here in the overall scheme of the film unfortunately is a charmless hero in Perseus, who offers little beyond brooding brawn and a reluctant warrior’s heart. The straightforward screenplay allows Sam Worthington so little opportunity to shine, emote any charisma, or even breath easy with light hearted moments when he is not slaying one mythical monsters after another.

The welcome whimsical characters on the journey here are the demigod Agenor, the son of Poseidon (played by Toby Kebbell), and Hephaestus (in an all too brief appearance by Bill Nighy), the weapons forger to the Titans. Beyond them, most of the characters are just all business. Though it’s worth noting that it’s good to see Liam Neeson and Ralph Fiennes playing it out big this time out after having little to do in Clash.